![]() Once the negative is converted in NLP, you’ll see a bunch of options appear, and you can use these to fine-tune the look of the negative. This is kind of confusing, but you want to crop that little bit of border frame out before you convert the image in NLP, otherwise the colors can get messed up. The next thing I do is convert the negative in a plugin called Negative Lab Pro (NLP). You need that little bit of border so that you can automatically white balance the image. Nevin: Before we get to that we have to back up, because this is important: When you’re lining up the frames during the scanning phase, you need to leave a little bit of the frame border in the scan. They’re fine for the web and socials, but to print large, you’d probably need a drum scan.Įvan: Okay, once you have them scanned and imported into Lightroom, then what do you do? The thing is, you can’t really print a 35mm shot anyway. I don't know, it’s just the process I use and it works for me. But on the other hand, your scans are really good. JPEGs are inherently lossy, so most photographers would probably use a lossless TIF file. Nevin: Yeah I have it set to export as a roughly 12-26MB JPEG.Įvan: I should probably explain for the reader that this is absolute sacrilege. “Digital ICE” mitigates some, but not all of the dust.Įvan: And what kind of file does that give you? A TIF?Įvan: WHAT? Can you double-check that for me. For 120mm I’ll bump it down to 3,200 dpi.For 35mm film I’ll bump it up to 6,400 dpi.Nevin’s settings for the Epson Scan software. But I finally got a working Pentax K1000 and, when I got my first roll of Superia 400 back from the lab, boy I was hooked. The first rolls were pretty messed up because the cameras I bought off of eBay had a bunch of light leaks. And at some point I decided I might as well do it myself, and decided to just shoot film. I was like, man, I really like all of these tones and colors and pretty much everything about film photography. Everybody loves a good sunset.Īnyway, I started to take photography a lot more seriously in 2018, and I found myself editing my digital work to look like all the film photos I was seeing on Instagram and Twitter. And since this is Pennsylvania, you don't need impressive mountains or anything in particular to get those kinds of photos. I basically started by shooting anything and everything that caught my eye back in the day, especially macro shots of flowers, then of sunrise and sunsets. We choose the top most quality product, which comes with amazing features you’ve never heard before. I'm primarily a landscape and cityscape photographer. Are you looking for best 35mm film slide scanners, we’ve consulted top experts who has in-and-out knowledge about the 35mm film slide scanners. Nevin: Cool, my name is Nevin Johnson and I'm from Philadelphia, Pennsylvania. Note: This telephone interview has been lightly edited for clarity. So how does he do it, and what was I doing wrong? I asked him - here’s our conversation about how to scan 35mm film like a pro: His pictures look incredible, so how does he do his scans? Surprise! An Epson v550. But then I met Nevin Johnson, a landscape photographer with absolutely gorgeous artwork that he shoots on 35mm and 120mm film.
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